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The Evolutionary Perspective
Tag Archives: movement
Posted: February 13, 2017 at 9:47 am
New York Times
At Ole Miss, a Liberal Agitator's Education
New York Times
Allen Coon, 21, a junior at the University of Mississippi. He helped lead the movement to take down the state flag from the university's flagpole. I can't go through a day without obsessively thinking about race, he said. Credit Bob Miller for The …
See the article here:
Posted: February 7, 2017 at 8:00 am
New York Times
A Free Speech Battle at the Birthplace of a Movement at Berkeley
New York Times
BERKELEY, Calif. Fires burned in the cradle of free speech. Furious at a lecture organized on campus, demonstrators wearing ninja-like outfits smashed windows, threw rocks at the police and stormed a building. The speech? The university called it off.
The No Free Speech Movement at Berkeley
Free speech takes a hit in Berkeley
UC Berkeley riot tests free speech, incites funding threat from Trump
Posted: December 7, 2016 at 7:55 am
Futurism was an early 20th-century art movement which encompassed painting, sculpture, poetry, theatre, music, architecture and gastronomy. Filippo Tommaso Marinetti initiated the movement with his Manifesto of Futurism, published in February 1909. Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers.
The musician Francesco Balilla Pratella joined the movement in 1910 and wrote the Manifesto of Futurist Musicians (1910), the Technical Manifesto of Futurist Music (1911) and The Destruction of Quadrature (Distruzione della quadratura), (1912). In The Manifesto of Futurist Musicians, Pratella appealed to the young, as had Marinetti, because only they could understand what he had to say. He boasted of the prize that he had won for his musical Futurist work, La Sina dVargun, and the success of its first performance at the Teatro Communale at Bologna in December 1909, which placed him in a position to judge the musical scene. According to Pratella, Italian music was inferior to music abroad. He praised the “sublime genius” of Wagner and saw some value in the work of Richard Strauss, Debussy, Elgar, Mussorgsky, Glazunov and Sibelius. By contrast, the Italian symphony was dominated by opera in an “absurd and anti-musical form”. The conservatories encouraged backwardness and mediocrity. The publishers perpetuated mediocrity and the domination of music by the “rickety and vulgar” operas of Puccini and Umberto Giordano. The only Italian Pratella could praise was his teacher Pietro Mascagni, because he had rebelled against the publishers and attempted innovation in opera, but even Mascagni was too traditional for Pratella’s tastes.
In the face of this mediocrity and conservatism, Pratella unfurled “the red flag of Futurism, calling to its flaming symbol such young composers as have hearts to love and fight, minds to conceive, and brows free of cowardice”.
His musical programme was:
Luigi Russolo (18851947) was an Italian painter and self-taught musician. In 1913 he wrote The Art of Noises, which is considered to be one of the most important and influential texts in 20th-century musical aesthetics. Russolo and his brother Antonio used instruments they called “intonarumori”, which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises. The Art of Noises classified “noise-sound” into six groups:
Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in April 1914 (causing a riot). The program comprised four “networks of noises” with the following titles:
Further concerts around Europe were cancelled due to the outbreak of the First World War.
Futurism was one of several 20th century movements in art music that paid homage to, included or imitated machines. Ferruccio Busoni has been seen as anticipating some Futurist ideas, though he remained wedded to tradition. Russolo’s intonarumori influenced Stravinsky, Honegger, Antheil, and Edgar Varse. In Pacific 231, Honegger imitated the sound of a steam locomotive. There are also Futurist elements in Prokofiev’s The Steel Step.
Most notable in this respect, however, is George Antheil. Embraced by Dadaists, Futurists and modernists, Antheil expressed in music the artistic radicalism of the 1920s. His fascination with machinery is evident in his Airplane Sonata, Death of the Machines, and the 30-minute Ballet mcanique. The Ballet mcanique was originally intended to accompany an experimental film by Fernand Lger, but the musical score is twice the length of the film and now stands alone. The score calls for a percussion ensemble consisting of three xylophones, four bass drums, a tam-tam, three airplane propellers, seven electric bells, a siren, two “live pianists”, and sixteen synchronized player pianos. Antheil’s piece was the first to synchronize machines with human players and to exploit the difference between what machines and humans can play.
Russian Futurist composers included Arthur-Vincent Louri, Mikhail Gnesin, Alexander Goedicke, Geog Kirkor (19101980), Julian Krein (19131996), and Alexander Mosolov.
A collection of Futurist music and spoken word from the period 1909-1935 has been recorded on a CD, Musica Futurista: The Art of Noises, issued in 2004. As well as period recordings, including free-verse readings by Marinetti and Russolo’s intonarumori, the CD includes contemporary performances by Daniele Lombardi of other key Futurist piano works. The material has been digitally remastered and includes a booklet with rare images and sleeve notes by Lombardi and James Hayward.
The tracks are:
Numerous recordings of Italian and Russian Futurist music have been made by Daniele Lombardi, notably the albums Futurlieder (works by Franco Casavola) and ‘Futurpiano (works by George Antheil, Leo Ornstein and Arthur-Vincent Louri).
See the rest here:
Futurism (music) – Wikipedia
Posted: September 20, 2016 at 7:10 pm
Wikipedia has an article about
Singularitarianism refers to attitudes or beliefs favoring a technological singularity.
The term was coined by Mark Plus, then given a more specific meaning by Eliezer Yudkowsky in his Singularitarian principles. “Singularitarianism”, early on, referred to an principled activist stance aimed at creating a singularity for the benefit of humanity as a whole, and in particular to the movement surrounding the Machine Intelligence Research Institute.
The term has since sometimes been used differently, without it implying the specific principles listed by Yudkowsky. For example, Ray Kurzweil’s book “The Singularity Is Near” contains a chapter titled “Ich bin ein Singularitarian”, in which Kurzweil describes his own vision for technology improving the world. Others have used the term to refer to people with an impact on the Singularity and to “expanding one’s mental faculties by merging with technology”. Others have used “Singularitarian” to refer to anyone who predicts a technological singularity will happen.
Yudkowsky has (perhaps facetiously) suggested that those adhering to the original activist stance relabel themselves the “Elder Singularitarians”.
Posted: June 29, 2016 at 6:26 pm
Author: Edward L Winston Added: June 13, 2010 Discuss: Discuss this article.
Over the last couple of months, mainly since Zeitgeist Movement (TZM) members began trekking to our forums, I’ve gotten a lot of emails from TZM members asking me various questions. This post is to outline the topics covered in my correspondence with said members.
I’ll likely update this page as I get feedback from people.
Primarily the issues discussed are why I believe TZM will fail and why I think it’s impossible to find common ground with TZM. I want to be clear that, given a different set of circumstances which I will discuss, maybe TZM could be successful and we could find common ground, but if things don’t change, neither will my stance.
The leader of TZM, Peter Joseph, is far more damaging to his own movement than I imagine many of the hardcore members want to believe:
More could be said about Peter Joseph, and is said in later sections, but our forums are full of former TZM members who shed even more light on the emerging cult of personality around him.
The most important issue here is that Peter Joseph is the leader of TZM and his word is law, despite claiming that he doesn’t consider himself the leader, he acts unilaterally to forbid members for talking to outsiders, for example banning members who post on our forums that aren’t glorifying him.
Something that I never stop hearing is the phrase the movies aren’t the movement. This referring to the fact that the movies promote conspiracy theories, but TZM is something else entirely, and exists separately from the movement. I would believe that if not for the following issues:
A lot of people don’t like that I use foul language, but I needed to display the utter lack of compassion for other human beings TZM leadership seems to have, as well as some hardcore members. The situation in Haiti, again, is a great example of this — reading many posts on the forums from members, it’s quite clear that unless The Venus Project (TVP) is going to be the solution to the problems in Haiti, there’s no use in helping them after the earthquake there.
I get asked “well, what are YOU doing to improve the world?” by TZM members a lot. I constantly bring up that I volunteer pretty much every weekend and I donate 10% of my income to charity, and a lot of time I will donate more than that. Most come back with the fact “charity doesn’t fix the problem.” While they’re right that charity doesn’t fix the problem permanently, sitting on a forum doesn’t either — though some members have the audacity to claim that TZM is a charity, despite never lifting a finger for anyone else.
The example I use when talking to TZM members about this is:
If you saw a starving/dying man in the street, would you do something to help him, or would you say “once our movement gets to 50 million members, I’ll be able to help you, but until then, see you later!”?
That’s essentially the logic behind the leadership of TZM and what many members parrot to me, just in a much nicer way. They love talking about how many children are starving to death today, but they refuse to help them today, and instead speak of some far off future that they can’t figure out how to get to.
I know and understand that not all TZM members are like this. I’ve seen some wonderful generosity and so forth coming from members, but more often than not, these members also don’t follow Peter Joseph blindly, because the ones that do refuse to help anyone else.
Here’s a list of problems that I believe TZM has:
There could be more added here later.
I don’t really see a future for TZM outside of degrading to hardcore members. Peter Joseph talks about a new movie coming out in October of 2010 that’s going to get “millions” of new members, so essentially nearly 2 years of doing nothing but waiting for yet another film are what TZM has to show for.
I think it’s all a shame, however, because getting all of those people together could have done something, could have lead to actual success in some way, but it’s not even close to that. This hasn’t stopped members from discussing the transition to the Resource Based Economy, despite the fact they’re discussing step 10,000 when they haven’t even reached step 1 and don’t seem to want to.
At this point is essentially a way to stroke Peter Joseph’s ego rather than accomplish any goals.
Sometimes I’m asked what I’d change about TZM, in order to make it more acceptable. Well, while I don’t think most of these changes are possible due to the way TZM is run, I usually humor those who ask:
So, essentially my “5 point plan” is completely incompatible with a movement where Peter Joseph is the overlord.
Would you like to know more?
See the original post here:
Posted: June 24, 2016 at 7:34 am
Posted: March 27, 2015 at 12:51 pm
By JULIUS KAIREY
Warning: Article may contain principled defenses of free speech as well as ideas and language that may be considered offensive to some readers. Read at your own risk.
One symptom of the hypersensitivity slowly rotting away at liberal education in America is the recent push for trigger warnings. If some students get their way, objectionable material in classroom lectures, discussions and presentations would include warning messages. Giving in to such demands, schools like Oberlin College have instructed faculty to scrub their syllabuses of offensive material that does not contribute directly to the course learning goals. Like proponents of the closely-linked speech code movement, trigger warning advocates equate controversial speech with violence in order to make it seem more regulable. This is a natural extension of a worldview that instructs students to prefer intellectual safety and security over a rigorous educational experience. In this paradigm, the quest for truth is deemed less important than making sure the wrong views are not heard.
When listening to the advocates of trigger warnings attempting to make their case, the careful listener is immediately struck by their boundless capacity for self-pity. They incessantly demand that society recognize their pain and acknowledge their status as a victim. Underlying this mindset is a paranoid fear that certain privileged societal groups are out to get them. Consequently, they cry oppression while censoring the speech of others and some universities are letting them get away with it. The same organizations that once wanted to keep administrators out of the business of regulating speech are now begging, even demanding, that they intervene. To give just one example, hundreds of students and faculty at Miami University last year demanded the university cancel a scheduled speech by syndicated columnist George Will.
A safe campus is a sterile one where we would lose what makes our universities great: innovative thinking, creativity, and a willingness to boldly reach for the next frontier.
The irony of this movement is that it bases its claims on the need to protect certain minorities from discrimination. They most aggressively target speech (and speakers) deemed racist or sexist, supposedly to protect groups they consider particularly vulnerable. Yet, there is a certain bigotry inherent in their line of reasoning. Trigger warning proponents unjustly portray minorities as uniquely fragile and incapable of dealing with controversial and hotly contested issues. They are rarely asked why their own degraded perception of minorities is not tantamount to the racism they so eagerly denounce.
It should hardly be surprising that such policies end up encouraging students to frequently claim offense. The taking of offense is an entirely subjective and utterly manipulable standard, such that a student cannot be made to prove that he really is offended by something he sees or hears. By enabling students to change the behavior of others by demanding to feel safe, students are encouraged to avoid the tough issues raised in class and retreat to the comforts of identity politics and victimization theory. Students must prove themselves capable of an education that prepares them for reality.
Professors have particular cause for concern with the rising popularity of this movement. The burden will naturally fall on them to ensure that students are not triggered from the contents of their lectures and assigned readings. This is an impossible task. Faculty members cannot possibly know the varied personal experiences of each student that could cause them to find material particularly objectionable. Should they refrain from giving a hypothetical involving a house fire for fear that a student might have experienced one? How about teaching law regarding violent assault or rape? It will become increasingly difficult for professors to teach and for students to learn in a context that puts student sensibilities above a free academic environment.
It is not entirely true that trigger warning proponents want the university to closely regulate all speech. Their speech is exempted. The right not to be censored is only conferred on those with the correct ideas. It is precisely the politicization and selective application of hypersensitivity that threatens to make our universities closed to those with unpopular ideas.
Imagine the Bible with warnings like may include homophobia and novels like Huckleberry Finn with the declaration may include racism. And why not make our campus an even safer space by removing such books entirely? After all, who knows if an impressionable young freshman might one day wander into the library, only to be traumatized by these books while innocently browsing the catalog? Do his sensibilities not deserve to be protected?
Posted: March 16, 2015 at 4:52 pm
Freelee Bananas and Rizzle's tits. – FREE SPEECH
Just a response to the party last week.
By: LALALA Movement Therapy
Follow this link:
Freelee Bananas and Rizzle’s tits. – FREE SPEECH – Video